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...A chronological listing of the many activities in our parish. Also be sure to check for information about other special, or regularly scheduled, items - accessible from the headlines page. |
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Gloria and Agnus Dei Sunday 9:30 & 11:00 Missa “Aeterna Christi munera” Giovanni Pierluigi da Palestrina Preparation of the Gifts Saturday 5:15 P.M. May the Holy Spirit’s Sword Shu-Fen Wang Kho Sunday 9:30 & 11:00 The Eternal Dove Randall Thompson Sunday 9:30 & 11:00 Missa “Aeterna Christi munera” Giovanni Pierluigi da Palestrina Communion Saturday 5:15 P.M. Ave Maria Giulio Caccini arr. Diana Kodner Sunday 9:30 & 11:00 Hymne à la vierge Pierre Villette
Giovanni Pierluigi da Palestrina is perhaps the most celebrated Roman Catholic composer, especially of the sixteenth century. His works are the model for the Renaissance polyphony codified by Johann Joseph Fux from Palestrina’s body of choral music. Palestrina followed strict methods of “species counterpoint” in his music resulting in a smooth polyphony and elegance in style like no other in Roman Catholic sacred music. His music also embodies the teachings of the Roman Catholic Church such as Ego Sum Panis Vivus. The Chamber Singers are well-suited for this polyphony singing with an elegance and grace befitting this style of music. Palestrina's Missa Aeterna Christi munera isn't a parody mass (where the mass is based on an existing polyphonic composition). Instead, it is based on a plainchant hymn.
Pierre Villette
(1926–1998) was born into a musical family in 1926. He
studied with Maurice Durufle before attending the Paris
Conservatoire. Villette's music is a product of a French
musical heritage that includes Fauré and Debussy as well
as Poulenc and Messiaen, and a French cultural legacy
that includes Catholicism and the Order of Saint
Benedict. Villette’s music drew on influences as
eclectic as Gregorian Chant, medieval music, jazz (he
composed an orchestral piece titled
Blues),
and Stravinsky. Villette's
Hymne à la vierge,
which is probably his best-known work, has been
performed in the annual Service of Nine Lessons and
Carols at King's College, Cambridge. Last October, Pope Benedict XVI discussed the “ancient treasure” of Gregorian church music. He reaffirmed his predecessor’s observations that the distinguishing traits of sacred liturgical music are “holiness, true art, and universality, or the possibility that it can be proposed to any people or type of assembly.” The Cathedral of the Holy Name therefore continues with this vision. Gregorian or Gregorian based music is present for most choral liturgical music, or, in instrumental music. In addition, the “ancient treasure” of choral music holds a large part of the repertoire for the cathedral’s liturgies. |
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Last updated May 9, 2008 |
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